PRESS FOR RETRIBUTION GOSPEL CHOIR’s 2 (2009 release)
RGC covers the Beach Boys’ “Kokomo” for the Onion’s AV Club
RGC live on Radio K
Gigwise revels in 2
Subba Cultcha gives 2 a 9 out of 10
The UK’s Line of the Best Fit’s live review of RGC in London
Soundlab sounds off on side projects — and RGC comes out on top
Italy’s Kalporz on RGC
Rock n’ Roll Ghost on 2
Germany’s Uncle Sally’s reviews 2
Germany’s Intro magazine talks to RGC
Smile Politely says to surrender to RGC
RGC rocks Cleveland
The UK’s Fly thinks 2 is catchy
Artrocker on 2
City Pages’ raves about RGC live
France’s Pin Kushion on RGC
UK’s Sunday Times gives 2 4 out of 5 stars
UK’s Drowned in Sound interview with RGC
UK’s Subba Cultcha raves on RGC
UK’s Line of the Best Fit interviews Alan
Isaac Ashe’s Sound Advice on RGC
The Mirror UK is thrilled with 2
Boston chats with RGC
Boston’s Melophone on RGC
405 on RGC
O Canada — Our northern neighbors praise RGC
Austraila rocks to RGC
The gospel according to Alan Sparhawk
Alan Sparhawk unleashes his inner classic-rock beast
RGC brings “bona fide” rock to NYC
WNYC grooves to “Hide It Away”
The UK’s Music Omh meditates on 2
Q magazine nominates “Hide It Away” as an essential track
Pitchfork says nice things about 2
Chart Attack on the production of 2
Music Fan’s Mic likes 2
France’s Gonzai digs 2
PRESS FOR RETRIBUTION GOSPEL CHOIR SELF-TITLED DEBUT (2008 release)
Daytrotter spends some time with RGC
Comfort can be found in the noise
It can’t all be Low, says Portland
Pitchfork digs RGC’s rock
CMJ reports on RGC
The Onion’s AV Club tunes in to RGC
Dusted reviews RGC debut album
The Austin Chronicle reviews RGC at SXSW
Stereogum talks to Alan Sparhawk about RGC
Seattle P-I gives the thumbs up to RGC’s debut
Reveille magazine talks to Alan Sparhawk
City Pages endorses RGC live
The Wake waxes nostaglic with RGC debut
Kevchino review
Aversion